” The lights sank, the prelude to the third act was beginning, the music rose and fell in crowded intimations of lovers separated—lovers separated with scars and memories between them, and the curtain went reefing up to display Tristan lying wounded on his couch and the shepherd crouching with his pipe. This circumstance produced no further alteration in his demeanour except that he endeavoured to abstract himself from the surrounding scene, and bend his attention to the prayers which the ordinary was reciting. ‘You! Tell this fool who is the keeper here to come to me at once.
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