Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. So the talk went on, and presently they were criticising novelists, and certain daring essays of Wilkins got their due share of attention, and then they were discussing the future of the theatre. You were wide the mark, physically; otherwise you had him pat.
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