Families had seen their lands seized, their chateaux ransacked or burned, and those unlucky enough to have failed to anticipate disaster, had been murdered or dragged away to gaol. The cloth was removed, and Wood, drawing the table as near the window as possible—for it was getting dusk —put on his spectacles, and opened that sacred volume from which the best consolation in affliction is derived, and left the lovers—for such they may now be fairly termed—to their own conversation. In addition to minor changes in punctuation, the theater in London in which the main character was a singer was referred to as the ‘Unusual’ and as the 'Universal'; this has been changed to refer to the theater consistently as the ‘Unusual. You shall not take me alive. He dissected rather awkwardly and hurriedly, but, on the whole, effectively, and drew with an impatient directness that made up in significance what it lacked in precision. That there gatekeeper would’ve called them out again.
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