When the turnkey, next morning, stepp'd into his room, The sight of the hole in the wall struck him dumb; The sheriff's black bracelets lay strewn on the ground, But the lad that had worn 'em could nowhere be found. She saw herself begin a slow, sinuous dance: and stop suddenly in the middle of a figure, conscious that the dance was not impromptu, her own, but native—the same dance she had quitted but a few minutes gone. . .
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