It was the end, she told herself, fiercely. I didn’t understand. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. He was always tenderly courteous; he answered her ordinary questions readily and her extraordinary ones patiently; he always rose when she entered or left the room. Surely she could ignore him. "It is never too late. Her back had stiffened, and her hazel eyes looked steadfastly ahead. Who knows?—on the analogy of “Squiggles” she might come to call him “Mangles!” “I don’t think I can ever marry any one,” she said, and fell suddenly into another set of considerations that perplexed her for a time.
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